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Now or Never
Not classified 140

Piano & keyboards
Piano solo 75
Piano, Vocal and Guitar 45
Piano, Voice 34
Easy Piano 31
C Instruments 12

Organ 6
Piano Quartet: piano, violin, viola, cello 4
Piano Trio: piano, violin, cello 3
Big Note Piano 2
1 Piano, 4 hands 2
2 Pianos, 4 hands 2
Piano Quintet: piano, 2 violins, viola, cello 1
Piano Accompaniment 1
Accordion 1

+ 9 instrumentations

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Guitars
Guitar notes and tablatures 18
Ukulele 5
Lyrics and Chords 5
Melody line, (Lyrics) and Chords 4
Guitar 3

Electric Bass (band part) 2
Dulcimer 2
Bass guitar 1

+ 3 instrumentations

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Voice
Choral SATB 29
Choral 3-part 10
Voice solo 4
Medium voice, Piano 3
Vocal duet 2

Soprano voice 2
Choral TTBB 2

Choral SSATTB 1
Alto voice, Piano 1
Choral Unison 1
Choral 2-part 1
Vocal duet, Piano 1

+ 7 instrumentations

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Woodwind
Clarinet 21
2 Saxophones (duet) 21
2 Flutes (duet) 20
Saxophone Quartet: 4 saxophones 16
Oboe (band part) 14

Saxophone (band part) 12
Saxophone Quintet: 5 Saxophones 11
Oboe, Piano (duet) 11
Tenor Saxophone and Piano 11
Flute 11
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 10
Alto Saxophone and Piano 9
Flute and Piano 9
Flute, Oboe, Clarinet, Bassoon 8
2 Clarinets (duet) 7
Clarinet and Piano 7
2 Oboes (duet) 7
Clarinet (band part) 6
Alto Saxophone 5
Flute Quintet : 5 flutes 5
Soprano Saxophone and Piano 4
2 Recorders (duet) 4
Oboe 4
3 Clarinets (trio) 3
Baritone Saxophone, Piano 3
Tenor Saxophone 3
Descant (Soprano) Recorder 2
Flute, Clarinet and Bassoon. 2
Clarinet Ensemble 2
Clarinet Quartet: 4 clarinets 2
3 Saxophones (trio) 2
Flute (band part) 2
English horn, Piano 2
Oboe, Clarinet (duet) 2
Bass Clarinet, Piano 2
Flute, Clarinet (duet) 2
Treble (Alto) Recorder, Piano 1
Pennywhistle 1
3 Recorders (trio) 1
5 Recorders 1
Clarinet Quintet: 5 clarinets 1
Tenor Recorder 1
Flute and Guitar 1
Flute ensemble 1
Flute Quartet: 4 flutes 1

+ 40 instrumentations

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Woodbrass
Trumpet 14
Trombone and Piano 8
2 Trumpets (duet) 8
French horn 7
Trumpet (band part) 7

2 Trombones (duet) 7
Trumpet, Piano 6
2 French horns (duet) 6
French Horn and Piano 6
Brass Quintet: 2 trumpets, horn, trombone, tuba 6
Tuba and Piano 6
Trombone 5
Tuba 5
Euphonium, Piano (duet) 5
Trombone (band part) 4
2 Tubas (duet) 4
Brass quartet : 2 trumpets, trombone, tuba 4
Tuba or Euphonium or Saxhorn 2
French horn (band part) 2
Tuba (band part) 2
English horn, Piano 2
Brass Quartet 1
Horn Ensemble 1
Trumpet ensemble 1
Tuba ensemble 1
Brass Quartet: 2 trumpets, horn, trombone 1

+ 21 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 22
Violin 15
2 Violins (duet) 14
Violin and Piano 13
Violin, Cello (duet) 12

2 Cellos (duet) 10
Viola, Piano 8
2 Violas (duet) 7
Viola 7
Cello, Piano 7
String Quintet: 2 violins, viola, cello, bass 6
Cello (band part) 6
Cello 4
2 Double basses (duet) 4
Double Bass 3
Double bass, Piano (duet) 2
Violin, Viola (duet) 2
Harp 1
String Trio: 3 cellos 1
Cello, Guitar (duet) 1
String Trio: violin, viola, cello 1
Piano Trio: Violin, Viola, Piano 1
String Trio: 2 violins, cello 1

+ 18 instrumentations

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Percussion & orchestra
Concert band 65
Orchestra 7
Marching band 6
Jazz Ensemble 5
String Orchestra 5

Percussion 4
Chamber Orchestra 3
Jazz combo 3
Percussion (band part) 2
Handbells 2
Brass ensemble 2
Drums 2
Xylophone 1
Brass Quintet: other combinaisons 1
Timpani 1

+ 10 instrumentations

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Now or Never

Choral TTBB

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The Story Of Reuben Clamzo & His Strange Daughter

The Story Of Reuben Clamzo & His Strange Daughter #Choral TTBB #EASY #Arlo Guthrie #Craig Hanson #The Story Of Reuben Clamzo & H #Edition Craig Hanson #SheetMusicPlus

Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...(+)

Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

$3.99 ≈ 3.72€

Africa

Africa #Choral TTBB #INTERMEDIATE #Rock #Toto #Jonathan Kilhams #Africa #Jonathan Kilhams #SheetMusicPlus

Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonath...(+)

Choral Choir (TTBB) - Level 3 - SKU: A0.943040 By Toto. By David Paich, Jeff Porcaro, Prince Lamont Board Priese, and Robin Dimaggio. Arranged by Jonathan Kilhams. Pop,Rock. Octavo. 18 pages. Jonathan Kilhams #4797945. Published by Jonathan Kilhams (A0.943040). About the pieceAfrica is a song by the American rock band Toto. It was included on their 1982 album Toto IV, and released as a single on September 30, 1982. It reached number one on the US Billboard Hot 100 chart on February 5, 1983 (the band's only number one there), and number three on the UK Singles Chart the same month.The initial idea and words for the song came from David Paich. Jeff Porcaro explains the idea behind the song: a white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.Paich said: At the beginning of the '80s I watched a late night documentary on TV about all the terrible death and suffering of the people in Africa. It both moved and appalled me, and the pictures just wouldn't leave my head. I tried to imagine how I'd feel about if I was there and what I'd do.In 2015, Paich explained the song is about a man's love of a continent, Africa, rather than just a personal romance. In 2018, Paich explained the song is about a person flying in to meet a lonely missionary. As a child, Paich attended a Catholic school. Several of the teachers had done missionary work in Africa, and this became the inspiration behind the line I bless the rains down in Africa.About the arrangementI have tried to keep as much of the original material used by Toto as possible, within the confines of a male voice choir arrangement. The arrangement is for TTBB and piano and can include sound effects made by the choir at the beginning to imitate rain and a thunderstorm. A bongo/djembe drum can be played through the choruses to add more of an African percussive feel. My thanks must go to Gareth Giles who helped create the piano part for this arrangement.Duration: 4 minsAdditional Parts & Social MediaIf you require any additional learning parts or rehearsal tracks then please contact me directly through www.jonathankilhams.com. I am also on Facebook, Twitter and Instagram so please let me know if your choir are planning to sing my arrangement - it is always nice to know where in the world it is being performed. Facebook: @johnnykilhamsmusicTwitter: @Johnny_KilhamsInstagram: @johnnykilhamsmusic

$5.00 ≈ 4.67€